Decatur architect: New WWI Memorial an ‘incredible' tribute
By Everett Catts
via the Rome News-Tribune newspaper (GA) web site
Joe Weishaar was a 25-year-old designer seeking to become an architect and working in a Chicago architectural firm when he entered a contest to design the planned World War I Memorial in Washington.
Six years later, the Decatur resident is the lead architect for the $42 million project, which opens with a private event April 16 and to the public the following day. He won in a pool of 365 entries from 22 countries.
“Before this process, I didn’t know anything about World War I. I had no ties, no connections. For me it’s entirely been a learning experience,” said Weishaar, who has no known relatives who fought in the war. “It’s really incredible, not just for me but it should be pretty incredible for the country as a whole. To build a memorial 101 years after the event that it commemorates, that sort of thing just doesn’t happen.
“You normally build a memorial right after, and in a lot of ways this became a forgotten war. To build something that has a lasting tribute to the men and women who served in that conflict shows it still matters.”
The private opening event will include a first colors ceremony in which a flag that has been flown over the U.S. Capitol and nine WWI battlefield cemeteries in Europe in the last three years. Hosted by award-winning actor and humanitarian Gary Sinise, the program is co-sponsored by the United States World War I Centennial Commission, the Doughboy Foundation, the National Park Service and the American Battle Monuments Commission.
It will commemorate America's role in the war and include military fanfare, musical performances and guest appearances by veterans and others from across the country.
The memorial is located inside the 1.8-acre Pershing Park, which sits on Pennsylvania Avenue by the southeast gates to the White House and is close to the Washington Monument and the Smithsonian. It’s the main/passion project of the World War I Centennial Commission, which was created by Congress in 2013 to plan, develop and execute nationwide programs focused on celebrating the 100-year anniversary of the war.
The memorial is paid for through private donations, an effort led by the commission’s fundraising arm, the Doughboy Foundation, which was named after the nickname given to U.S. infantrymen during the war. The commission will shut down once the memorial opens.
After winning the contest, Weishaar was the project’s lead designer until getting his architect’s license in October 2019 and being promoted to lead architect. He’s working with GWWO Architects, the memorial’s firm of record; landscape architect David Rubin and sculptor Sabin Howard.
The memorial will include a 58-foot, 3-inch-long sculpture of soldiers in action that is the largest freestanding bronze high-relief sculpture in the Western Hemisphere. But it won’t be installed until 2024, so in the mean time, Weishaar said, the memorial will have a temporary screen showing the final sketch of Howard’s sculpture design.
Edwin Fountain, who served as the commission’s vice chair until a year and a half ago but is still involved with the memorial project, said the organization wanted to make the design competition a global one because of all the countries involved in the war.
'First Colors' Ceremony with pre-recorded remarks by President Biden to mark opening of National World War I Memorial
via the yahoo! finance web site
WASHINGTON, April 13, 2021 /PRNewswire/ -- The World War I Centennial Commission will host First Colors, a 90-minute virtual commemoration to mark the opening of the National World War I Memorial in Washington, D.C. The event will be live streamed on Friday, April 16, 2021, at 10:00 a.m. EDT/ 7:00 a.m. PDT at www.ww1cc.org/firstcolors. The memorial will open on April 17 under the administration of the National Park Service.
President Joe Biden will offer pre-recorded remarks as part of the program, hosted by actor Gary Sinise. The program will also include Secretary of the Interior Deb Haaland, Chairman of the Joint Chiefs Gen. Mark Milley, Senator Mitch McConnell (R-KY), and Representative Emanuel Cleaver (D-MO). Celebrity appearances will include Lee Greenwood performing "God Bless the U.S.A" with acapella group Home Free and members of the United States Air Force Band.
The ceremony's live elements at the memorial will include a Color Guard raising the inaugural flag, which was previously raised over the U.S. Capitol; nine World War I cemeteries administered by the American Battle Monuments Commission in France, Belgium, and the United Kingdom; and the World War I Museum and Memorial in Kansas City, Missouri. A flyover will be performed by the 94th Fighter Squadron, formerly the 94th Aero Squadron, the most victorious air warfare unit of World War I. The United States Army Band Pershing's Own will also perform, featuring a bugle owned by Gen. John Pershing, commander of the American Expeditionary Forces in Europe during World War I.
'First Colors' will feature special tributes to World War I service members, including:
A performance by the 369th Regiment "Hellfighters Band," a tribute to the all-Black band in World War l's segregated Army that helped bring jazz to Europe.
A performance from the musical "Hello Girls, The Musical" that portrays the first women to actively serve in the Army, performing as heroic telephone operators on the front lines.
"As our nation's flag is raised for the first time over this hallowed ground that honors those who served in the Great War, we can take pride in the legacy of service and sacrifice by those who wear the uniform of our great country," said Terry Hamby, Chairman of the World War I Centennial Commission. "We invite Americans across the country to view this momentous occasion and reflect on this significant generation's place in our country's history."
The program will also include insight about the design of the memorial from lead designer Joe Weishaar and sculptor Sabin Howard.
First Colors is presented by the World War l Centennial Commission in cooperation with the Doughboy Foundation, the National Park Service, and the American Battle Monuments Commission. For more information and to watch the commemoration, visit www.ww1cc.org/firstcolors. First Colors is not an in-person event.
THE HELLO GIRLS To Perform In The FIRST COLORS Ceremony
By BWW News Desk
via the broadwayworld.com (NYC) web site
The United States World War I Centennial Commission, in cooperation with the Doughboy Foundation, the National Park Service and the American Battle Monuments Commission, is sponsoring the FIRST COLORS Ceremony, a major event to celebrate the inaugural raising of the American flag over the nation's soon to open World War I Memorial.
The live-broadcast event will feature a special performance by the critically acclaimed Off Broadway cast of THE HELLO GIRLS and will take place in Washington, DC on Friday, April 16 at 10:00 a.m. EDT / 7:00 a.m. PDT.
Hosted by award-winning actor and humanitarian Gary Sinise, the 75-minute program will pay tribute to America's role in WWI and highlight our national unity with military fanfare, guest appearances by notable participants from across the country and musical performances including a special excerpt from the Off Broadway musical THE HELLO GIRLS.
The WWI FIRST COLORS Ceremony performance reunites members of the original Off-Broadway cast of THE HELLO GIRLS: Ellie Fishman (Finding Neverland, Miss Saigon National Tour, Goodspeed's The Music Man), Chanel Karimkhani (Bach and Bleach, The Goree All Girl String Band), Andrew Mayer (Natasha, Pierre & the Great Comet of 1812, I Spy A Spy), Matthew McGloin (Bastard Jones, 2 Pianos, 4 Hands at Cincinnati Playhouse in the Park), Ben Moss (Oratorio For Living Things at Ars Nova, Broadway: Head Over Heels, Amélie, Deaf West's Spring Awakening), Lili Thomas (We're Gonna Die @2ST, Only Human), Skyler Volpe (Sing Street at NYTW / Broadway, Barrington Stage West Side Story), and Cathryn Wake (Natasha, Pierre & the Great Comet of 1812, The Other Josh Cohen). Original drummer Elena Bonomo (Broadway's Six, A Strange Loop) is joined by bass player and vocalist Nygel D. Robinson.
n ensemble of actor-musicians chronicles the story of America's first women soldiers in THE HELLO GIRLS. From New York to Paris, from ragtime to jazz, and featuring a critically-acclaimed score by Peter Mills, and book by Peter Mills and Cara Reichel, the musical tells the story of the groundbreaking women who served as the first soldiers in the U.S. Army, during World War I. These intrepid heroines served as bilingual telephone operators on the front lines, helping turn the tide of World War I. They then returned home to fight a decades-long battle for equality and recognition, paving the way for future generations.
How Military Sleds Dogs Became Vital During WWI
By Mike Powell
Special to the Doughboy.org web site
When one thinks of war, snow doesn’t usually come into the picture. But part of World War I was fought in the Vosges, a mountain range in France. Soldiers had to contend with cold and snow as well as the other dangers of war.
As you may imagine, the snow presented challenges that didn’t exist in other areas. How would the soldiers get supplies, ammo, medicine and transport their injured soldiers back? Their horses found it difficult to move through snow, and when they did, it was slow going.
This is where sled dogs came into the picture. In July 1915, a French officer was tasked with finding 400 sled dogs of any breed before the winter hit, so they would be prepared.
Here’s how these military sled dogs became vital during WWI.
They Brought Soldiers Food & Water
Soldiers can only carry so much food with them, and horses couldn’t move easily through the snow to bring new supplies. In the cold, soldiers needed to stay fed so they’d be alert and have energy to move when necessary.
Sled dogs had no troubles moving across the snow to bring sleds laden with supplies. Because of their strength in numbers, they could also transport large amounts of food at one time. This ensured that the soldiers remained nourished and ready for combat.
They Brought More Ammunition
Running out of ammunition is a serious problem for soldiers. Thankfully, sled dogs could provide new arms and ammunition quickly and efficiently, keeping the soldiers armed and protected.
According to history, one of the most notable events was a team of 9 sled dogs pulling a sled loaded with 300kg of ammunition across 120km terrain that humans and horses had failed at.
Waging war for her grandmother: N.H. woman fights to honor WWI's 'Hello Girls'
By Madeline Hughes
via theEagle-Tribune newspaper (North Andover, MA) web site
ATKINSON, N.H. (Tribune News Service) — As she was helping her parents move from their home a decade ago, Carolyn Timbie of Atkinson stumbled upon what she calls "an amazing treasure trove" of items from World War I.
They included a helmet, a gas mask, uniforms, letters, artillery shells and a clip of ammunition — all things her grandmother had saved from her time at the front lines of the war.
Timbie's grandmother Grace Banker was the chief operator of the U.S. Army Signal Corps women telephone operators. The Signal Corps is a branch of the American military that manages communications for combined armed forces, such as the U.S. Army working with a military group from another country.
Banker died three years before Timbie was born. Now, about 60 years after the death, Timbie is connecting with her grandmother in a special way. She is helping historians and U.S. Sen. Maggie Hassan understand the work done by Signal Corps women during the war, when they became known as the Hello Girls.
"It's 100 years later. They should get the full recognition," Timbie said of her hope that Banker and other Signal Corps women are eventually honored with medals for their military service. "Still today, we have women who have to work extra hard for recognition, and so many women identify with this story."
Hassan and a bipartisan group of senators are working to recognize Banker and her fellow Signal Corps women with the Congressional Gold Medal, the highest honor given by Congress.
"Grace Banker and the other Hello Girls were true patriots who answered America's call to action by serving as crucial links between American and French forces on the front lines during World War I," Hassan said, pointing to the women's "brave and selfless service."
Timbie has been sharing her grandmother's story in the military community and beyond. A woman who heard the story and is a colonel in the U.S. Army identified with the tale. She reached out to Timbie to talk about the difference between women in the military now and generations ago.
Timbie said the colonel talks openly about being a lesbian, something she never would have done early in her military career. To do so would have jeopardized her chance to gain leadership positions in the Army, said Timbie, adding the colonel has found inspiration in Banker's story.
Banker was among the women telephone operators recruited into World War I after men in the U.S. Army struggled to connect phone calls quickly or communicate well with their allies in the French military. The U.S. Signal Corps women were sent to France to serve at military headquarters and command posts alongside American fighting forces.
Banker went into the war shortly after graduating from Barnard College. She had been working as a switchboard operator with a telephone company and then became one of the first females recruited as a telephone operator in the war, where she led her unit. In total, 223 women went overseas during the war to operate phones.
“Learning this history has increased my connection with the women in my family,” Timbie said.
Then Again: World War I brought challenges to home front — in the state, and U.S.
By Mark Bushnell
via the VT DIgger (VT) web site
When 19-year-old Gavrilo Princip fired two shots from a pistol in the streets of Sarajevo on a late June morning in 1914, Vermonters had no idea what troubles the incident would trigger for the people of their state.
The point-blank shots killed Archduke Franz Ferdinand, heir to the Austro-Hungarian throne, and his wife, Sophie, and set off a series of events that led to World War I.
For the next few years, Vermonters remained unscathed by the horrors enveloping so much of the world, but their good fortune didn’t last. Events finally dragged Vermont men off to war, sparked the deadliest epidemic of the last century, and led to a crackdown on civil liberties in the state.
The United States finally entered the war in April 1917, on the side of the Allies, which included France, Britain, Russia and Italy. But Vermont had already beaten the United States to the punch. A week before President Woodrow Wilson called on Congress to declare war, Gov. Horace Graham called on the Legislature to respond to the conflict. Days later, the Legislature approved $1 million to supply the Vermont National Guard and authorized borrowing an additional $3 million to support the war if needed.
Farming to win
Enough Vermont men enlisted that a draft was hardly needed. More than 14,000 Vermonters served during the war.
The enlistment raised concerns of labor shortages in Vermont, as roughly 15 percent of men ages 19 to 50 served. Vermonters at home joined the war effort. Many offered financial support by buying war bonds. An estimated 30,000 Vermont schoolchildren worked to increase the state’s food production, as did thousands of women.
Another response was the creation of Camp Vail in Lyndonville during the summer of 1917. The camp trained young men, ages 16 to 20, to work on farms. The trainees were drawn mainly from larger communities, where young men were unfamiliar with farm labor. The camp was run in a quasi-military style, with a bugler sounding reveille, the young men marching to and from the fields and sometimes singing songs mocking Germany’s Kaiser Wilhelm: “Camp Vail’s awake tonight, Camp Vail’s awake! It holds a lively bunch, that’s no mistake. We’re out to lick the Hun, William to break. As our row we hoe, Kaiser Bill will know Camp Vail’s awake.”
The state and towns worked to protect strategic resources, including Vermont’s utilities. Armed private citizens guarded bridges into the state, on the lookout for German saboteurs. The Legislature approved Gov. Graham’s call for warrantless arrests and authorized the death penalty for anyone convicted of a war-related attack on people or property.
Vermont’s war fervor landed a Baptist minister in Windsor in serious trouble. President Wilson declared Oct. 21, 1917, “Liberty Loan Sunday,” and he expected the nation’s clergy to decorate their churches in red, white and blue, and to lead their congregations in singing “The Star-Spangled Banner.” The idea was to encourage congregants to buy Liberty Bonds to fund the war.
Jeannette Rankin’s history-making moment in World War I
By NCC Staff
via the Constitution Daily (National Constitution Center) web site
It was on April 2, 1917 that Jeannette Rankin became the first woman in Congress. But within days, she became the target of national scorn for voting against America’s entry into World War I.
Four years before the 19th Amendment's ratification, which extended the right to vote to all American women, Rankin was elected as the first woman member of Congress. A Republican from Montana, Rankin ran on a platform promising a constitutional amendment for woman’s suffrage and reforms on other social welfare issues such as child labor. Despite the fact that she was elected in 1916, she wasn’t sworn in as a Representative until April 2, 1917, only after Congress had a month-long debate about whether a woman was fit to be a United States Representative.
Born in 1880, Rankin was a trailblazer and activist from a young age. After graduating Montana State University, she worked as a social worker in Washington before joining the woman suffrage movement in that state, which extended to women the right to vote in 1910. By 1914 she was experienced in navigating the suffrage battle and she was a lobbyist for the National American Woman Suffrage Association, where she contributed to the woman suffrage campaign in Montana.
When she announced her candidacy for a House seat in Montana in 1916, some were understandably skeptical about her chances. While her election was a long shot, she benefitted from her political experience and reputation as an activist, and from support from her wealthy brother Wellington. During the campaign, she took a staunch pacifist position towards U.S. participation in World War I, and she pledged that she would not vote for any American involvement in the deadly European conflict. After her victory, she acknowledged the gravity of her achievement for women across the country and said that she was “deeply conscious of the responsibility resting upon” her.
On April 2, the same day that she officially became the first female member of Congress, President Wilson addressed Congress encouraging it to pass a declaration of war and authorize United States involvement in World War I.
As she voted no on the declaration of war three days later, she told her colleagues “I want to stand by my country, but I cannot vote for war”. The resolution ultimately passed 373 to 50, but Rankin established herself as both an active member of Congress and a staunch anti-war representative.
The Helena Independent called her “a dagger in the hands of the German propagandists, a dupe of the Kaiser, a member of the Hun army in the United States, and a crying schoolgirl.” Others questioned if women were able to be congressional representatives. "Miss Rankin's vote is regarded, not as that of a pacifist, but rather as one dictated by the inherent abhorrence of women for war,” said the New York Times.
Later in 1917, Rankin led the fight in Congress to create the Committee on Woman Suffrage, and worked on the Committee to produce a constitutional amendment extending suffrage to women nationally. While the particular resolution the committee produced eventually failed to pass the Senate, she rallied support for it among her colleagues in the House by asking on the floor, “How shall we explain to them the meaning of democracy if the same Congress that voted to make the world safe for democracy refuses to give this small measure of democracy to the women of our country?”
Twenty-One Steps: Guarding the Tomb of the Unknown Soldier
By Jeff Gottesfeld
Special to the Doughboy Foundation web site
The iconic psychiatrist Viktor Frankl, whose Man’s Search for Meaning (1946) is one of the most important books every written, loved the United States. But liberty, he warned, is not enough to sustain our nation. In a book mostly about his experiences in the Nazi camps and the importance of finding meaning even in the cruelest of settings, Frankl makes a bold proposal:
“Freedom is in danger of degenerating into mere arbitrariness unless it is lived in terms of responsibleness. That is why I recommend that the Statue of Liberty on the East Coast be supplemented by a Statue of Responsibility on the West Coast.
Frankl’s call for responsibility may be one reason that for many years, I have visited national cemeteries on Memorial Day. I regret that I didn’t make this a habit until I was in my forties.
Five years ago, on Memorial Day, I traveled down the 405 Freeway with my de facto wife and step-daughter to the Los Angeles National Cemetery. It was impressively crowded, until we wandered away from the main ceremony, and into the vast fields of headstones.
As I walked among the rows, I noted one headstone that read, “UNKNOWN.” And then, another. I remembered a visit in my late teens to the Tomb of the Unknown Soldier at Arlington National Cemetery, and how I had marveled at this most significant of American shrines.
By the time we departed, I was mulling a children’s book about the Tomb, and the Tomb Guards who have kept watch there every minute of every day since July 2, 1937. I got the title quickly: Twenty-One Steps: Guarding the Tomb of the Unknown Soldier.
The research for the book was both fascinating and upsetting. The fascinating part was building massive files. I have articles on unsung heroes buried at Arlington, like Don Holleder. Another about Ioway Tribe of Kansas and Nebraska member Marvin Franklin, a Tomb Guard KIA in Vietnam. There are endless stories from the websites of the Society of the Honor Guard, Tomb of the Unknown Soldier; Arlington National Cemetery; and the United States World War I Centennial Commission. Patrick O’Donnell’s The Unknowns (2018) became a bible. So did the National Geographic Society’s Where Valor Rests (2009).
The upsetting part was coming to terms with how little I knew about the First World War. It was particularly painful because I had been an undergraduate American Studies major. Granted, college was a long time ago, but World War I was a seminal moment in our history. Arguably, it is when the United States became a world power. I am fond of saying that we cannot blame people for not knowing what they have not been taught, but I still blamed myself for this inexcusable gap. It was my own failing.
There was no way that I was going to fill the gap entirely. But after some fits and starts – mostly fits! – in finding my book’s point of view, I decided that the best way to make the past real to my young audience, their parents, and grandparents was to tell the story from the point of view of the first Unknown. I start like this:
'Hello Girls' Kept World War I Communications Humming
By Kelly Bell
via the Veterans of Foreign Wars web site
By the time the U.S. declared war on Germany in 1917, the Navy had already opened its doors to women, assigning them ground jobs that freed up men for sea service. The need ashore was even greater.
As the first American forces began arriving in France that summer, they found the communications network in disarray. In three years of combat, telephone lines were shot, shelled and bombed faster than they could be repaired.
Furthermore, the French women operating telephone exchanges spoke no English and in general were very casual toward their duties, frequently forsaking their switchboards in order to go to canteens, shopping and to meet with boyfriends. The very first U.S. phone operators were men who were poorly trained and tended to hang up when combat-stressed officers shouted at them over the lines.
Pershing Calls for ‘Hello Girls’
Army Gen. John J. Pershing, commander of American Expeditionary Forces in World War I, found this situation intolerable. He had, however, noted the efficiency and competence of Britain’s Women’s Army Auxiliary Corps as they expertly kept England-based phone lines humming.
In November, he urgently advised his War Department of the need for French-speaking American women to take over the telephone system so that Allied military operations could be effectively coordinated.
Before Pershing had boarded the ship that bore him to Europe, he stuffed its hold with the latest in communications technology. The telephone was an American invention, and he was determined to exploit it to its fullest potential.
The War Department placed advertisements in newspapers across the country, and more than 7,000 patriotic women eagerly responded. The vast majority had to be rejected because they had no communications experience and spoke no French.
From this pool, the Army selected 150, mostly Louisiana Creoles and the daughters and granddaughters of French and French-Canadian immigrants. Following intensive training (in some cases re-training women who had been working as telegraph operators) by AT&T and basic instruction in military protocol, the Secret Service meticulously screened these volunteers to assure they were loyal to the Allied cause. Eventually, 223 women were cleared for duty and served in war-torn France.
How World War I Helped Women Ditch the Corset
By Jessica Pearce Rotondi
via the History.com web site
Massive cultural shifts during and after World War I helped free women from confining roles—and the confining corsets that bound them to the previous age. The evolution of the bra re-shaped the image of what a woman could be, whether she was serving in the war effort, fighting for the right to vote, or dancing in a flapper-style dress at war’s end.
History of the Bra
“No one person invented the corset or the bra,” says Valerie Steele, Director of The Museum at the Fashion Institute of Technology. “They were developed in different places and many people took out patents over the years improving or changing their design.” Some of the earliest bras date back to Ancient Rome: “Mosaics from the villa Romano del Casals in Sicily show the strophium, a simple cloth breast binding,” says Judith Dolan, distinguished professor and head of design at the University of California at San Diego.
By 1500, corsets—tight, structured undergarments extending from below the chest to the hips—became the undergarment of choice for women in the middle and upper classes in much of Europe. The constricting corset would reign supreme until the 20th century, when women began to breathe easier thanks to the bra.
While a 600-year-old prototype of a bra was recently found in a castle in Austria, credit for inventing the first “modern” bra goes to French designer Herminie Cadolle, who cut a corset into two in 1869 and called it the “corselet gorge.” Cadolle’s creation was seen as a bit scandalous at the time. It would take world events—and a patent—for the bra to really take off.
American socialite Mary “Polly” Phelps Jacob patented the “brassiere” on November 3, 1914, the year World War I broke out in Europe. Filing for the patent under the pseudonym “Caresse Crosby,” she’d come up with the concept while dressing for a ball, when her uncomfortable corset poked through her dress, prompting her and her maid to sew together two handkerchiefs to offer more flexible support.
Her business never quite took off (though she’d go on to shake up the publishing world in Paris, printing the work of authors like Ernest Hemingway, Anais Nin, and James Joyce), and she sold her patent to the Warner Brothers Corset Company for a paltry $1,500. By the time the United States joined World War I in 1917, the influence of European fashions and the changing role of women helped open the floodgates for women to ditch their corsets and embrace the bra.
Hello Girls Are The Original Rodney Dangerfield
By Rob Watkins
via The Newport Plain Talk newspaper (VA) web site
Last week I told the story of a group of heroic women telephone operators and their actions during World War I. I also wrote that I would tell the rest of their story this week. Because of what happened to them when the war was over, they said the same thing as comedian Rodney Dangerfield,... “I get no respect”. Before I get to that I want to share the story of one of them who received one of America’s highest military honors.
Born in 1892, in Passaic, New Jersey Grace Banker was a woman who would become a hero during World War I. The education system in NJ was not established until the mid to late 1800s. The first high school opened in 1874 and size limited the number of students. So, when Grace was born education opportunities were still limited. This did not stop her, and not only did she complete her secondary education, she graduated with a double major in history and French from Barnard College, in New York.
After college she started to work as an operator for the American Telephone and Telegraph Company (AT&T), in New York. With her exceptional drive she quickly rose, in a male dominated field, to become an instructor.
In December of 1917 she saw one of the newspaper ads that General Pershing had requested for women operators to join the Army and go to France to run the switchboards. He wanted them to be able to speak French and she felt that description fit her, so she volunteered. In 2019 her granddaughter Carol Timbie said, “My grandmother and, I think, many women at that time wanted to do their part, be a part of the war. To help win.”
The women volunteers raised their hands, swore the Army’s Oath of Enlistment, were given dog tags, and uniforms and went through months of training. When they were finished with the training they left for France and into the war. Grace kept a diary, and it shares much of her thoughts. She wrote on March 7, 1918, “Sailed this morning in a dismal gray drizzle. Watched the Statue of Liberty fade from sight. For the first time, suddenly realized what a responsibility I have on my young shoulders.”
When she arrived in France she was assigned to General Pershing’s headquarters in Chaumont, France. There she supervised the operations and women assigned to handle all the communications between the headquarters and the front. Just six months later she and a group of five other women found themselves at the front.
That September found them within the range of German artillery at the battle for St. Mihiel. General Pershing’s American Expeditionary Forces (AEF) and over 100,000 French troops were set to take the region back from the Germans. Grace and her six operators worked twelve hour shifts and her diary shares, “Never spent more time at the office and never enjoyed anything more. My girls worked like beavers.”
They were so close to the front each had helmets and gas masks. Their “office” was a badly damaged building that had been bombed by the Germans. Each day they faced the return of those planes, and severe weather without heat. At one point their living quarters had been set on fire by a German prisoner, lucky none of them were injured.
When the AEF and French forces signed a cease fire on November 11, 1918 her team was reassigned to Paris where she worked at the residence set up for visiting President Woodrow Wilson. Since it was dull work, after her experiences on the front, she accepted a position at Army headquarters in Coblenz, Germany where she stayed until September 1919, when she and her team returned to the states. While there she was awarded the Distinguished Service Medal (DSM) presented for her “exceptionally meritorious service to the government in a duty of great responsibility”.
First Colors Ceremony Introduces America's New World War I Memorial
The United States World War I Centennial Commission in cooperation with the Doughboy Foundation, the National Park Service and the American Battle Monuments Commission is sponsoring a major event to celebrate the inaugural raising of the American flag over the nation's soon to open World War I Memorial in Washington, DC on Friday, April 16 at 10:00 a.m. EDT / 7:00 a.m. PDT.
The FIRST COLORS Ceremony will be an emotionally powerful, live-broadcast program that commemorates the generation of Americans who fought, with our allies, in the trenches and on the home front to bring an end to one of the most consequential wars in history.
Hosted by award-winning actor and humanitarian Gary Sinise, the 75-minute program will pay tribute to America's role in WWI and highlight our national unity with military fanfare, musical performances, and guest appearances by notable participants from across the country. Viewers will hear insights from high-profile elected officials, military leaders, and the dedicated team who has enriched the nation's understanding of World War I and created a lasting tribute in our nation's capital to engage Americans for generations to come.
"A century ago, 4.7 million Americans sent their sons and daughters off to fight a war that would change the world. They traveled to a country they had never visited, to fight in a war they didn't start, to achieve peace and liberty for a people they didn't know. FIRST COLORS takes a look at the how and why of the Memorial that honors their service," said Daniel Dayton, Executive Director, US World War I Centennial Commission.
The FIRST COLORS Ceremony is designed to "bring our history home." It marks the final leg of a journey that began with an American flag that first flew over our nation's capital on April 6, 2017, commemorating the Centennial Day that the United States went to war in 1917. This Commemorative Flag has since flown over American battlefield cemeteries in Europe, honoring the Doughboys who gave their all during the war. The colors will now return home to their final destination, forever flying above the new National World War I Memorial.
WWI 'Hello Girls' would be awarded Congressional Gold Medal under Senate bill
By Julia LeDoux
via the WWl radio (New Orleans, LA) web site
A bipartisan group of U.S. Senators has introduced legislation to award the Congressional Gold Medal to the female military telephone operators who kept American and French GIs connected during World War I.
The Hello Girls Congressional Gold Medal Act would award the medal to the women of the U.S. Army Signal Corps. Also known as the Hello Girls, the bilingual female switchboard operators connected more than 150.000 calls per day during the war, doing so at a rate six times faster than their male counterparts.
Senate Veterans Affairs Committee Chairman Jon Tester, D-Mont., Ranking Member Jerry Moran, R-Kan., Sens. Maggie Hassan, D-N.H., and Marsha Blackburn, R-Tenn., introduced the legislation this week.
“The Hello Girls were faster and more accurate than any enlisted man at connecting men on the battlefield with military leaders, and blazed a new path for women on the front lines in France during WWI,” said Tester. “They took the Army oath, helped our allied forces win the war, but were still denied the veteran status and benefits they earned. This Congressional Gold Medal will honor their service and provide them with long-overdue recognition.”
Despite their service, the Hello Girls fought for 60 years to be recognized as being among the nation’s first women veterans.